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Beyond tsktsk: An
English Usage Resource
from Pam Rider,
indexer, copyeditor, book doctor
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Words Do Count
Clichés and redundancies are among the most common roadblocks to elegant, effective communication.
Typical descriptions of cliché include: trite, hackneyed, and stereotyped.
Clichés are slyly comfortable, because a communicator will expect an audience to "know" the phrase. Unfortunately, overuse of what began as evocative phrases prompts readers to skip the overly familiar and miss the writer's point.
"Apple of the eye" began as a delightful image in Psalms, but after billions of repetitions in millions of situations, readers gloss over the words and listeners really don't hear.
Clichés are popular with advertising copywriters and other manipulators of public opinion.
Theoretically, the use of cliché creates a folksy tone. At best, the theory is condescending toward an audience. It is by far better to plainly state matters or develop personal, creative descriptions.
In addition, writers need to turn away from the advertising/opinion tactic of employing redundancy and tautology to create false emphasis.
Yet in fiction, the ongoing value of clichés and other nonfiction errors is real. A character with cliché-ridden conversational style is described in context, just as one using a favorite trite saying or a treasured tautological expression can also be imprinted as a personality-type.
In general, clichés should be avoided in expository, nonfiction writing.
Language that avoids redundancy has more punch than communication clouded by verbiage.
Redundancy, pleonasm, and tautology have long provided material for humorists, who help us chuckle about human foibles by exploring such phrases as "self-impersonation" and "total annihilation."
The basic meaning of redundancy is unnecessary duplication of words to provide precise meaning. Typically, redundancies are created by adding modifiers.
Best writing/speaking practice is to prune unnecessary words.
Folks just can't plan backwards, so "advance planning" is redundant and, on reflection, can imply the communicator is a fuzzy thinker.
Yet, somehow, redundant phrases get locked into common conversation (perhaps because it's believed more words add emphasis/weight to a statement). But, if only "advance" planning becomes the norm, the meaning of "planning" is irrelevant.
Also, an admirable case or statement by a communicator might get dismissed because the term, "advance planning" signals imprecise analysis.
Wordiness is closely related to redundancy.
The content of one's communication is the key to gaining an audience, with cutting excess words crucial in keeping that audience engaged. Readers or listeners are more impressed with well-thought-out information than with adjectives that add nothing to meaning.
"Never use a metaphor, simile, or other figure of speech which you are used to seeing in print." —George Orwell
Click on the applicable alphabetic link for problems and fixes.
Check out Pam Rider's résumé:
Grammatically Correct Words Score
Beyond the inconsistencies and irregularities of English, communicators can also be stymied by words that sound and/or are spelled similarly. Sometimes one is confused about correct meaning and other times it's a typo. These alphabetic links lead to information that unravels the sticky web of common words that are misused or confused for each other.
Sources
Indexing
But, why have Pam Rider index your work when there's an indexing function in word processing software and sophisticated search engines can retrieve gobs of data?
An excellent explanation of why you need human analysis to provide your readers with intelligent, valid information retrieval is given by indexer Kevin Broccoli at: this link. The human brain provides the best and fastest language analysis and information structuring. Software cannot compose and construct an index any more than it can write a novel, poem, or essay.
"It is easy enough to make an index, as it is to make a broom of odds and ends, as rough as oat straw; but to make an index tied up tight and that will sweep well into the corners isn't so easy."
"My guess is about 300 years until computers are as good as, say, your local reference librarian in doing search."
For an example of Pam Rider's indexing, follow the link to an index for Lynne Truss's best-selling Eats, Shoots, and Leaves, a book with no published index. This index is for the British edition, which has been exactly reproduced in the USA edition.
—John Ruskin
—Craig Silverstein, Google director of technology
Eats, Shoots and Leaves index
errata
The index with main entries capitalized by correct grammar (instead of all having an initial capital letter) is at Eats, Shoots and Leaves alternative index
To contact Pam Rider
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Born on:
September 7, 2003
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